ignacio g. galán
[ igg - office for architecture ]

 

Co-curation of an installation featuring the collective research project on architecture pedagogy led by Beatriz Colomina with Princeton PhD Candidates, within the section Monditalia at the 14 International Architecture Exhibition of La Biennale di Venezia (by invitation of the general curator of Rem Koolhaas): Beatriz Colomina, Britt Eversole, Ignacio G. Galán, Evangelos Kotsioris, Anna-Maria Meister, Federica Vannucchi

Corderie dell'Arsenale, Venice (Italy) / June 7 - November 13, 2014

Acknowledged with the Special Mention of the Jury

Radical Pedagogies explores a series of pedagogical experiments that played a crucial role in shaping architectural discourse and practice in the second half of the twentieth century. As a challenge to normative thinking, they questioned, redefined, and reshaped the postwar field of architecture. They are radical in the literal meaning stemming from the Latin radix (root), as they question the basis of architecture. These new modes of teaching shook foundations and disturbed assumptions, rather than reinforcing and disseminating them. They operated as small endeavors, sometimes on the fringes of institutions, but had long-lasting impact. Much of architectural teaching today still rests on the paradigms they introduced.

This installation at Monditalia zooms in on the Italian situation. Multiple case studies are explored to expand the geographical and conceptual map—reconstructing the pedagogical shift in Italy in the late 1960s and 1970s. 

See the Radical Pedagogies web platform.

Photo by Miguel de Guzmanimagensubliminal.com

Research and curation: Beatriz Colomina, Britt Eversole, Ignacio G. Galán, Evangelos Kotsioris, Anna-Maria Meister, Federica Vannucchi.

Design and construction: Cristóbal Amunátegui and Alejandro Valdés, Amunátegui Valdés architects. Graphic design by Pablo González, Smog.tv.

Multiplatform publishing concept: dpr-barcelona, Ethel Baraona and César Reyes.

Acordeón Office Sidebar

  • About Open or Close

    [igg - office for architecture] is a design and research office based in New York City and led by Ignacio G. Galán, PhD. Our work focuses on architecture's role in the articulation of society through design projects, research, and pedagogical endeavors. The designs of the office have been awarded in competitions including the First Prize for the New Velodrome in Medellín and are part of the permanent collection of the Pompidou Center. 

    We operate through diverse media and platforms and are continuously informed by different kinds of conversations and collaborations. Galán's research has led to the production of several publications and exhibitions including the installation Cinecittá Occupata for the 2014 Venice Biennale and the exhibitions Your Restroom is a Battleground and The Restroom Pavillion for the 2021 Venice Biennale. Together with the After Belonging Agency, Galán was the Chief Curator of the 2016 Oslo Architecture Triennale. He is also a member of the research project Radical Pedagogies and has co-curated its exhibition at the 2013 Lisbon Architecture Triennale and at the 2014 Venice Biennale, where it was awarded a Special Mention of the jury. He is one of the editors of the eponymous volume (MIT Press, 2022).

    Additionally, Galán is an architecture historian working on the intersection of architecture, politics, and media, with a particular focus on nationalism, colonialism, migration, and access.

    You can visit his faculty profile here.

  • Statement Open or Close

    We understand architecture as a key agent participating in the articulation of society. 

    We explore the ways in which architecture contributes to the definition of new ways of being together.

    We are concerned with architecture's relation to cultural transfers, material networks, and diverse forms of population transience. 

    We are additionally interested in the objects, media technologies, and institutions transforming architecture's individual occupations, its collective operations, and its diverse types of mobilization. 

    We are interested in architecture's capacity to mediate social pursuits for access, diversity, and assistance.

    These emphases lead the work of the office and continuously challenge our methods of analysis and our design practice.